A
|
| a 2 |
When instruments such as 1st violins share the
same part or divide the same part into 2 |
| absolute music |
Simply music, i.e. not 'Programme music' |
| a cappella |
Unaccompanied vocal music |
| a tempo |
In time, resume original speed |
| accent |
Emphasis on a note |
| acciaccatura |
A grace note that is played as quickly as possible |
| accidental |
Collective name for sharp, flat and natural |
| acoustics |
The science or study of sound |
| a piacere |
At pleasure |
| a 2
absolute music: |
Music not explicitly connected with words or
specific meaning but exists simply as it is. |
| accelerando |
Getting gradually faster. |
| adagietto |
Quite slow |
| adagio |
Slowly. Slower than andante, but faster than largo.
Literally, at ease. |
| Ad libitum/ad
lib. |
At pleasure - left to the performer |
| aeolian
mode |
One of the scales of ancient Greece. The white
notes from A to A on a keyboard |
| affetuoso |
Tenderly |
| affrettando |
Hurrying. |
| alberti
bass |
Simple accompaniment, consisting of broken chords.
It takes its name from Domenico Alberti |
| alla |
In the style of. |
| alla marcia
|
In the style of a march. |
| allargando |
Broadening out. |
| allegretto |
Slightly less fast than allegro, and perhaps lighter
texturally. |
| allegro |
A fast or fairly lively tempo. |
| allegro
assai |
Very quick. |
| andante |
Moderately slow tempo, between allegro and
adagio. Walking pace.
andantino Could mean either slightly less faster or slower than
andante. |
| appassionato |
With passion. |
| arco |
Played by drawing the bow across the strings. |
| aria |
A composition for solo voice and accompaniment often
contained within an opera, usually in ternary form. |
| arpeggio |
A chord whose pitches are sounded one after another in
succession rather than simultaneously. |
| atonality |
Having no particular key or tonal area. |
| autograph |
The original manuscript of a composition written in
the composers hand. |
 |
|
| ballad |
A story on song. A song with a narrative |
| ballade |
A Romantic piece, i.e written by composers such as
Chopin and Brahms |
| bar |
a measure of music in equal proportions |
| bagatelle |
A fairly short, simple composition. |
| barcarolle |
Means 'boat-song' and is a lyrical piece in triple
time often in ternary form. |
| barline |
Lines drawn vertically on the stave to separate
bars (measures)
baritone Vocal range midway between tenor and bass |
| bass |
Lowest male voice. = Lower part of the musical stave, as
opposed to treble |
| bass clef |
Also called the F clef used by instruments like the
bass, cello, tuba and bassoon |
| baroque |
Period in Western music from approximately 1600 to
around 1750.
berceuse A cradle song and a quiet instrumental piece |
| binary form |
Form containing two parts, each section repeated, as
in Bach's keyboards suites. |
| boogie-woogie |
Jazz style of playing featuring an ostinato bass |
| bolero |
Spanish dance in triple time. |
| bourree |
Baroque suite dance in 2/2 |
| breve |
Note equal to two semibreves |
| bridge passage |
A transition to link the first subject to the
second subject in Sonata Form |
| bridge |
The transition section in a sonata (exposition) linking
the 1st subject with the 2nd. |
| brillante |
Brilliant - with sparkle. |
| brio |
Vigour (Con Brio - with vigour) |
| broken chord |
A chord in which the notes are played one after
another |
 |
|
| cadence |
The point in music where the melody and/or chord
sequence leads the listener to experience a sense of temporary
or permanent close giving a sense of repose or resolution. |
| cadenza |
Section towards the end of a piece of music where a
performer has an opportunity to perform an elaborate
improvisation. |
| calando |
Getting softer and slower. (dying away) |
| canon |
Exact imitation of the melody in one voice by another,
continued for more than one phrase. A round is a good example. |
| cantabile |
In the manner or style of a song. |
| cantata |
Choral or solo vocal form of the Baroque period
of religious or secular, generally with more than one movement and
accompanied by instruments. |
| capriccio |
A caprice (in a free, light-hearted style) |
| chaconne |
Similar to the Passacaglia |
| chamber music |
Music for small ensembles |
| chord |
Three or more notes played simultaneously. |
| chromatic (scale) |
A scale containing all 12 pitches of the
western notation system. |
| chromaticism |
The use of chromatic intervals |
| classical (period)
|
Music composed approximately between
1750-1820. Haydn, Mozart and Beethoven were the main composers
of the period. |
| coda |
Concluding section of a composition. |
| col. con |
With. |
| col legno |
Use the wood (back) of the bow (for string players) |
| colla voce |
With the voice. As an accompanist follows the singer. |
| come prima |
As at first |
| common time ( C ) |
Another name for 4/4 time signature |
| comodo |
Convenient (at a convenient pace) |
| compound intervals |
Intervals greater than an octave |
| compound time |
Each beat in a bar amounts to a dotted note. E.g:
6/8 is 2 dotted |
| crotchet beats |
(Compound = duple) |
| concert pitch |
Tuning standard where the 'A' above middle C = 440
Hz or 440 vibrations per second |
| con anima |
With deep emotion. |
| con brio |
With vigour |
| con moto |
With movement |
| con sordini
|
String direction - to play with mutes. |
| con spirito |
With spirit |
| concertante
|
A work for a group of solo instruments and
orchestra |
| concerto |
Work for one or more solo instruments accompanied by
orchestra, often in three or more movements. |
| concerto grosso |
Baroque concerto contrasting a small group of
soloists (concertino) against a small orchestra (ripieno). |
| concord |
A chord which sounds harmonious, as opposed to a discord
which sounds dissonant |
| continuo |
A bass line (used in Baroque period) with figures below
as a shorthand system to enable a harpsichordist (or organist)
to improvise the harmonies that are suggested by the bass line. |
| corrente |
An 18th century Italian or French dance in triple time
in Binary form.
counterpoint, contrapuntal Two (or more) melodic voices
combining harmoniously within a score. |
| contrary motion |
Moving in opposite directions |
| corda |
A string |
| counter-exposition |
A second exposition in Fugue immediately
following the first, but with the voices entering in a different
order |
| counterpoint |
2 or more melodic lines playing simultaneously |
| courante |
A Baroque dance in triple time and binary form. Varies
in character from country to country. |
| crescendo |
Getting louder, usually gradually. |
| crotchet |
Note lasting for 1 whole beat |
 |
|
| da capo/D.C. |
From the beginning |
| dal segno/D.S. |
From the sign |
| deciso |
Decisively |
| decrescendo |
(diminuendo) Gradually softer. |
| delicato |
Delicately |
| descant |
A higher part above the main melody |
| development |
The second section in a sonata form. |
| diminished |
Perfect or minor intervals that are flattened a
semitone |
| diminished seventh |
A four note chord comprising stacked minor
thirds |
| diminuendo, decrescendo |
Getting softer. The opposite of
Crescendo. |
| discord/dissonance |
A chord or interval that sounds inharmonious
and requires resolution |
| divisi/div. |
Divide into two or more groups (for orchestral
players) |
| divertimento |
Chamber works composed by Mozart and others around
the late 18th Century. |
| divisi |
When (for instance) Violins 1 & 2 have double notes
written on the score and divide themselves so that violin 1
plays the upper part and violin 2 the lower. |
| dolce |
Sweetly. |
| dolcissimo/dolciss. |
Very sweetly |
| dolente |
Sadly. |
| dolore |
Grief, sorrow |
| doppio (movemento) |
Double (the speed) |
| dominant |
The fifth note of the major or minor scale and the
chord that is built upon that note. |
| dominant seventh |
A major triad with a flattened seventh note
added |
| doppio |
Double |
| doppio moviment |
Twice as fast |
| double barline |
Two vertical lines denoting the end of a piece of
music |
| dotted rhythm |
When a dotted note is (repetitively) followed by a
shorter note producing the characteristic long-short (dah dee
dah dee) rhythm. |
| double flat |
A semitone lower than an ordinary flat. E.g: Ebb =Db |
| double sharp
|
A semitone higher than an ordinary sharp. E.g: F
double sharp = G |
| double stop |
Two strings played simultaneously on a stringed
instrument. |
| duet |
A piece for two performers |
| duo |
A duet |
| duple time |
Where the bar is divided into two beats, e.g: 2/4,
2/2, 6/8
dynamics The 'louds' and 'softs' of music. |
 |
|
| ecossaise |
A Scottish dance in 3/4 |
| ein wenig |
A little |
| elegy, elegie |
A song of lament |
| embouchure |
The positioning of the lips in relation to the
mouthpiece for woodwind and brass players |
| encore |
Again (as an excited audience would request) |
| energico |
Energetic |
| enharmonic |
Different names for the same sounding note, e.g: C#
could also be described as Db |
| ensemble |
A group of performers |
| epilogue |
A concluding or ending part. |
| episode |
1) In the development of a Fugue, passages that
link the subjects together. 2) In Rondo form (or
ternary) the sections that alternate with the main
theme. |
| espressione
|
Expression. |
| espressivo |
With feeling (expression) |
| essential note |
An actual note of the chord, as opposed to a
passing note |
| etwas |
Somewhat |
| etude |
A study - usually a piece designed to display the
performers technique. |
| exposition |
1) The first section of sonata form in which musical
themes or ideas are introduced. Usually the music begins in the
tonic key and concludes in the dominant. 2) In a fugue, the
first subject is imitated and developed by several voices. |
| extemporization
|
Improvisation |
 |
|
| facile |
Easy, Simple |
| fanfare |
Flourish of trumpets |
| fantasia, fantasie
|
A piece in improvisatory style |
| falsetto |
A male voice singing notes higher than their normal
range |
| fantasy |
Type of composition unlike formal music, but where form
is unimportant and suggests extemporisation. |
| figured bass
|
Also known as continuo, whereby keyboard players in
the baroque era played the bass line and extemporaneously filled
in the chords, denoted by figures, e.g: 6, 6/4, 5/3 |
| finale |
Final movement of a sonata, symphony, string quartet or
similar work. fine The end. |
| first inversion |
The 3rd (as in degree of the scale) note of the
chord is in the bass first subject The first theme/melody in Sonata form |
| flamenco |
Spanish dance with accompanying guitar playing |
| forte |
To be played loudly, abbreviated form is
f forte piano (fp) Loud, then soft |
| fortissimo |
To be played very loudly, shortened to ff |
| forza(ando) |
Force(ing) |
| french (german, italian)
sixth |
Augmented 6th chords named after European
nationalities. See
Wikipedia |
| fugue, fugal |
A highly contrapuntal form perfected by J.S. Bach
where imitation of up to four subject themes is developed. |
| fundamental note |
The primary note of the harmonic series |
| fuoco |
Fire. |
| furioso |
Furiously. |
 |
|
| galliard |
A 16th and 17th century dance in quick triple time |
| gavotte |
A gracious Baroque dance in duple time. |
| general pause (G.P.) |
Rest or pause for the entire
orchestra/ensemble. |
| german (french, italian)
sixth |
Augmented 6th chords named after European
nationalities. See
Wikipedia |
| gigue |
Baroque suite dance in 6/8 or 12/8, lively and in Binary
(AB) form. Often the last movement of the suite |
| giocoso |
Merrily, happily, stems from jokily. |
| giusto |
Exact, correct. Think of 'just so' |
| glissando |
Sliding from one pitch to another, sounding all
pitches in between. |
| groundbass |
A short repetitive bass tune with varied treatment
above it grandioso In a grand manner. |
| grave |
Very slow. |
| grazioso |
Gracefully. |
 |
|
| immer |
Always (ger.) |
| imitation |
The statement of a single motive or melody by two or
more voices in succession, often in staggered entrances so one
part continues as another enters, as in a round. |
| imperfect cadence |
Chord I, II or IV - V |
| impetuoso |
Impetuously |
| impressionism |
Term used to describe music by composers such as
Ravel and Debussy. The use of dissonance was used to create new
moods and effects. |
| impromptu |
A improvised piece, e.g: Schubert's Impromptus |
| incalzando |
Getting faster and louder |
| interlude |
Piece of music played between other pieces. |
| intermezzo |
In 18th century, a comic work performed between the
acts of a serious opera. In the 19th and 20th centuries, a
middle movement in a larger work, or a short lyrical piece
written for piano. |
| interrupted cadence |
Chord V - VI |
| interval |
The distance between two notes, measured by scale
degrees or steps. |
| invention |
A short contrapuntal piece stemming from a single
musical idea. e.g. Bach's 2 part inventions. |
| inversion |
Turned upside down as in chords/intervals |
| italian (french, german)
sixth |
Augmented 6th chords named after European
nationalities. See
Wikipedia |
 |
|
|
madrigal |
A contrapuntal composition for unaccompanied voices
from the 16th and early 17th centuries |
|
maestoso |
Majestically. |
|
maggiore |
Major |
|
ma non troppo |
but not too much. May be preceded by Allegro (for
instance) meaning fast but not overly. |
|
mano destra |
(abbr.) m.d. Right hand. |
|
mano sinistra |
(abbr.) m.s. Left hand. |
|
marcato |
Marked, accented. |
|
martellato |
Hammered |
|
mazurka |
A Polish dance in triple time. |
|
measure |
Unit of time made up of equal numbers of beats, divided
by bar lines. (same as Bar) |
|
mediant |
Third degree of the scale E.g: In F major the Mediant
would be A |
|
meno |
Less. |
|
meno mosso |
Less movement. |
|
mesto |
Sadly |
|
meter |
The organization of rhythm and beats. |
|
mezzo forte |
Moderately loud. |
|
mezzo piano |
Moderately soft. |
|
minim |
Note lasting 2 crotchet beats |
|
misterioso |
Mysteriously |
|
minuet, menuett |
A stately dance in ¾ time. Very popular in the
18th century and often forming the third movement of classical
symphonies, usually with a middle section called a trio which
traditionally used a smaller group of instruments. A second
minuet called a trio follows |
|
mit |
With |
|
modality, modal |
A musical system based on scales popular in
Renaissance and Medieval music. Often found as well in folk
music. Similar to major and minor scales in some respects, but
containing altered tones that color our perception of the scale. |
|
moderato |
Moderate tempo. Falls between andante and allegro. |
|
modulation |
A process whereby music shifts from one key to
another. |
|
molto |
Very. As in molto allegro - very fast. |
|
moll |
Minor |
|
mordents |
Ornaments that start on the note, go up (upper) or down
(lower) one note and back to the note again |
|
morendo |
Dying away. |
|
mosso, moto, movimento |
Movement |
|
motive, motif |
The shortest musical idea of rhythmic or melodic
identity that retains its identity when elaborated or
transformed. |
|
movement |
A part of a larger composition such as a symphony or
concerto. The work often contains 3 or more movements and there
is usually a pause in between where it is convention for
audiences not to applaud. music The intellectual organization of sound and it's written
language. |
|
|
|
 |
|
|
obbligato |
Cannot be omitted, where the part is obligatory |
|
octave |
Interval of eight notes, i.e. from C-C |
|
octet |
Any combination of eight performers in an ensemble |
|
opera |
Drama set to music in a theatre, primarily sung and
accompanied by an orchestra or ensemble. |
|
operetta |
Little opera |
|
opera buffa |
Comic opera. |
|
opus |
Some composers have conveniently catalogued or numbered
their works. Beethoven would perhaps number a piano sonata -
Opus 31 No. 3. Other composers had someone do it for them i.e.,
K. (Koechel for Mozart) or Hob. (Hoboken for Haydn) |
|
oratorio |
Vocal work like an opera but without costumes and
staging. |
|
ornaments |
Decorations, embellishments. E.g: mordents, trills, |
|
ossia |
Or |
|
ostinato |
A short musical pattern or sequence sometimes in
the bass that repeats persistently |
|
overture |
An orchestral introduction to an opera or oratorio overture Instrumental composition intended as an introduction to
an opera or other dramatic vocal work, or from the 19th century
onwards could be piece of instrumental music using a similar
model but intended for solo performance (often piano) |
 |
|
|
pastorale |
In a pastoral style. |
|
patetico |
With emotion or feeling. |
|
pedal, pedal point |
A sustained note, not always in the bass upon
which various harmonies continue to change. |
|
pentatonic |
Five-note scale and music based on such a scale,
found in folk music of many cultures and sometimes in 19th- and
20th- century Western art music. |
|
perdendosi |
Dying away. |
|
periods in music |
The table below gives a rough and conveniently
rounded off chronology of the various stylistic periods of
music. |
Medieval (Middle Ages) 500-1450
Renaissance 1450-1600
Baroque 1600-1750
Classical 1750-1820
Romantic 1820-1900
Twentieth Century 1900-2000 These following secondary periods are also commonly referred to.
Rococo 1690-1765
Early Classical 1720-1765
Impressionist 1890-1910
Expressionist 1910-1920 |
|
perpetuum mobile |
Continuous rhythmic motion, employing a
consistent note value that proceeds rapidly without pause for an
entire section or movement. |
|
pesante |
To be played heavily or weightily.. |
|
phrase |
A musical phrase resembling a phrase of speech. |
|
piano |
To be played softly, abbreviated form is p |
|
pianissimo |
To be played very softly, shortened to pp |
|
piu |
More. |
|
pizzicato |
Played by plucking the string as opposed to
using a bow. |
|
plagal cadence |
The chord of the subdominant followed by the
chord of the tonic. Known as the 'Amen' cadence as it always
used to sing the closing amen by members of protestant churches. |
|
poco a poco |
Little by little. |
|
polyphony, polyphonic |
Music that simultaneously combines more
than one voice. Literary means 'many sounding'. |
|
presto |
Tempo indication for very fast. |
|
prestissimo |
As fast as possible |
|
principal |
Leader of a section of an orchestra, except for first
violins who are led by the concertmaster. |
|
program music, programmatic |
Instrumental music often inspired by
nature, art or literature, as opposed to purely musical ideas. |
 |
|
|
ragtime |
Early type of jazz, popular from 1895-1920. Scott Joplin
was a typical composer. |
|
rallentando |
Getting gradually slower. |
|
recapitulation |
A restatement of themes introduced in the
exposition (or first section) of sonata
form. Usually, the second subject is restated in the
tonic key instead of the dominant. (as it was in the
exposition) |
|
recitative |
Dramatic singing style, used particularly in opera,
oratorio, and cantata. redundant entry An extra entry of the first voice in a Fugue, at
the end of the Exposition |
|
reel |
A lively dance usually in 4/4. Popular in Scotland, but of
Scandinavian origin |
|
reggae |
Rhythmic soul music, Jamaican origins |
|
requiem |
A Mass for the dead set to music |
|
rest |
Silence |
|
riff |
short, repetitive passage used in Jazz, Rock
etc. |
|
rhythm |
The pattern of movement in time as defined by
the duration of pitches. |
|
ripieno |
The term used for the orchestra in a Concerto Grosso |
|
risoluto |
Boldly. |
|
ritardando (ritard) |
Getting gradually slower. |
|
ritenuto (rit.) |
Hold back (the tempo) |
|
riitmico |
Rhythmically. |
|
Romantic |
The period of music history approximately from the
early-19th to early-20th centuries. Emphasis on individual
creative imagination. |
|
rondo form |
A form whereby a principal theme alternates with
other (varied) themes called episodes on the pattern A B A C A,
A being the principal theme and B and C being the episodes.
There are other variations of this format. |
|
root position |
When the keynote of the chord is in the bass i.e.
when C is the lowest note of the chord of C |
|
round |
Perpetual canon. E.g: London's Burning. |
|
rubato |
Robbed time, not strict tempo. |
|
ruhig |
Peaceful. |
 |
|
|
sarabande |
Baroque suite dance in slow triple time with accent on
the second beat |
|
scale |
Notes moving up or down stepwise (from 'Scala' it. meaning
ladder) |
|
scherzo |
Scherzo means "joke," and is usually a movement
or piece that is playful in style. Beethoven often
substituted the minuet for the scherzo in his
sonatas and symphonies; The character of a scherzo
can be also be grim and sinister. |
|
scherzando |
Playfully. |
|
schnell(er) |
Quick(er) |
|
score |
Musical notation showing all parts arranged one underneath
the other. |
|
second inversion |
The fifth note of the chord is in the bass |
|
second subject |
The second theme in Sonata form |
|
segue |
The next section follows without a break or continue
without stopping. |
|
sehr |
Very |
|
semibreve |
Note lasting 4 beats/crotchets (whole-note) |
|
semiquaver |
Note lasting 1/4 value of a crotchet |
|
semitone |
Two closest notes. E.g ; C to C# |
|
semplice |
Simple. |
|
sempre |
Always. |
|
senza |
Without. |
|
senza sordini |
String direction - to play without mutes. |
|
septet |
A group of seven performers |
|
sequence |
When a phrase is repeated at a different pitch,
either higher or lower |
|
serial, serialism |
Method of composition where a series of tones
(pitches) in a predetermined order are used as the basis the
work is built on. The 'twelve tone' system uses all 12 notes of
the scale rather than the conventional major/minor scale system. sextet A group of six performers |
|
sforzando (sf, sfz) |
With a sudden accent |
|
sharp |
Raises the note by a semitone |
|
siciliano |
A slow dance in 6/8 or 12/8 |
|
simile |
In the same way. |
|
slargando |
Get gradually slower. |
|
slentando |
Get gradually slower. |
|
slur |
Curved line, meaning to play the notes smoothly |
|
smorzando |
Dying away. |
|
sonata |
Composition for one or more instruments, usually in
several movements; Typically, the Baroque sonata is very
different from the classical sonata however. Originally meant a
work for an instrument as opposed to Cantata which indicated a
vocal work. |
|
sonata form |
Typifies the the Classical Period, where musical
ideas are introduced through exposition, development and
recapitulation, sometimes finishing with a coda. The design
enhanced the idea of a home key moving to its dominant,
exploring other keys and then returning to the main theme but
this time remaining in the tonic. |
|
sonatina |
A small sonata |
|
sonoro |
With a rich, full tone. |
|
sopra |
Above. |
|
soprano |
Highest female voice |
|
sordino |
Mute |
|
sospirando |
Sighing. |
|
sostenuto |
Sustained. |
|
sotto |
Below. |
|
sotto voce |
In an undertone. |
|
spiccato |
Detached, with springy bow ( for string players) |
|
spiritoso |
Spirited, lively. |
|
staccatissimo |
Play the notes very short and detached. |
|
staccato |
Short and detached. |
|
stave/staff |
The five lines and four spaces on which notes are
written |
|
strepitoso |
Noisy, boisterous |
|
stretto |
A fugal technique where voices will enter before the
previous voice is complete. |
|
string family |
Violin, viola, cello, double bass |
|
stringendo |
Gradually Getting faster |
|
subdominant |
4th degree of the = scale E.g: In C major the
Subdominant note is F |
|
subito |
Suddenly, quickly. |
|
subject |
Musical theme. |
|
submediant |
Sixth degree of the scale E.g: In C major the
Submediant note is A |
|
suite |
Instrumental composition consisting of several movements
in dance character, usually in the same key. Later suites are
often extracts from an opera or ballet. |
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sul |
On |
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sul G |
Play on the G string |
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sul ponticello |
Play near the bridge (string instruments) |
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supertonic |
Second degree of the scale E.g: In C major the
Supertonic note is D suspension Sustained or "held-over" note of a chord that becomes
dissonant when other voices of the chord move to a new harmony,
usually resolved down a step or half step. |
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suss |
Sweet. |
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symphonic poem |
An orchestral work that depicts stories or
images. See program music. symphony In a broad sense, a work for orchestra in multiple
movements. |
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syncopation |
Where 'off' beats are accented instead of the main
beats, common in jazz music. |
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tacet |
To be silent |
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tablature |
Use of diagrams rather than notes, informing the
guitarist of the position of the fingers |
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tango |
Argentinean dance in 2/4 time. |
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tanto |
So much |
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tarantella |
A very lively dance in 6/8, which originated in Italy |
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tempo |
The speed at which music is performed. |
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tempo comodo |
At a comfortable speed |
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tempo giusto |
In strict time |
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tempo primo |
Back to original speed. |
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tempo rubato |
Freely, without strict tempo. |
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ternary form |
A movement in three parts in which the first and
third parts are very similar, with a contrasting middle section
(A B A). |
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teneramente |
Tenderly |
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tenerezza |
Tenderness |
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tenor |
High male voice |
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tenuto |
Held on for full value. |
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theme with variations |
A form in which a self-contained musical
unit is followed by a series of modifications of the original
material. |
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tierce de picardie |
In which the final chord of a piece in a
minor key is major |
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timbre |
Tone-colour. The quality of sound from an instrument or
singer |
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time signature |
Sign after the clef and key signature, indicating
the number of beats in a bar. E.g: 2/4, 6/8 |
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toccata |
An Italian word meaning to 'touch' designed to display
the brilliance of the performer. |
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tonality |
Key: Major, minor |
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tone poem |
Programmatic orchestral composition in one movement. |
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tonic |
The first note of a scale, or the chord built upon that
note. |
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transposition |
Changing the pitch. E.g: raising the pitch from F
major to G major |
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tranquillo |
Quiet and calm. |
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traurig |
Sad. |
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treble |
The high part of the musical stave as opposed to the bass
or lower part. An unbroken boy's voice |
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tre corda |
Release the left pedal (on the piano) |
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triad |
Chord made up of three notes: Usually the 1st (root) 3rd
and 5th notes of the scale combined. |
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trill |
Ornament involving the written note and one higher played
quickly several times |
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trio |
1) Composition in three voices. 2) Composition for three
performers. 3) Second section in a symphony or sonata minuet or
scherzo movement, followed by a repetition of the minuet or
scherzo. |
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trionfale, trionfante |
Triumphant |
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triple counterpoint |
Three melodic parts interwoven |
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tritone |
Three whole tones (Augmented 4th) |
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troppo |
Too much |
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tutti |
All. |
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twelve-bar blues |
Twelve bars of repeating chord pattern used in
Blues and Rock music: I,I,I,I, IV,IV,I,I V,IV,I,I |
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twelve-tone music |
20th century system of composition in which a
predetermined order of the twelve notes of the chromatic scale,
and variations of this pattern, are systematically followed
throughout a composition. |
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